|
|
December (2003)
|
|
|
|
Strange Times
(1999) |
|
|
|
Keys of the
Kingdom (1991) |
|
|
|
Sur La Mer (1988)
|
|
|
|
The Other Side of
Life (1986) |
|
|
|
The Present
(1983) |
|
|
|
Long Distance
Voyager (1981) |
|
|
|
Octave (1978) |
|
 |
Moody Blues
seventh sojourn
         
1972 48,1%
Rock, Art Rock, Soft Rock, Baroque Pop |
Note |
 |
Lost in a Lost World |
(3-) |
 |
New Horizons |
(3-) |
 |
For My Lady |
(2-) |
 |
Isn't Life Strange |
(3) |
 |
You and Me |
(3) |
 |
The Land of Make-Believe |
(4+) |
 |
When You're a Free Man |
(3) |
 |
I'm Just a Singer (In a Rockand Roll Band) |
(3-) |
|
Die Singles "Isn't Life Strange" und
"I'm Just a Singer (In a Rock and Roll Band)" verpassten die
britischen und amerikanischen Top10 nur knapp. Beide standen
1972 (zu Recht) im Schatten der Wiederveröffentlichung von "Nights
in White Satin". |
 |
Moody Blues
every good boy deserves
favour
         
1971 44,1%
Rock, Art Rock, Soft Rock, Baroque Pop |
Note |
 |
Procession |
(4) |
 |
The Story in Your Eyes |
(3+) |
 |
Our Guessing Game |
(4+) |
 |
Emily's Song |
(3-) |
 |
After You Came |
(3) |
 |
One More Time to Live |
(3-) |
 |
Nice to Be Here |
(3) |
 |
You Can Never Go Home |
(3-) |
 |
My Song |
(3-) |
|
|
 |
Moody Blues
a question of balance
         

1970 57,7%
Rock, Art Rock, Pop/Rock, Psychedelic Pop |
Note |
 |
Question  |
(1-) |
 |
How Is It (We Are Here) |
(3) |
 |
And the Tide Rushes In |
(3+) |
 |
Don't You Feel Small |
(3-) |
 |
Tortoise and the Hare |
(3-) |
 |
It's Up to You |
(3) |
 |
Minstrel's Song |
(3) |
 |
Dawning Is the Day |
(3) |
 |
Melancholy Man |
(3) |
 |
The Balance |
(3-) |
|
|
 |
Moody Blues
to our children's
children's children
         
1969 40,3%
Rock, Art Rock, Pop/Rock, Psychedelic Pop |
 |
Higher and Higher |
 |
Eyes of a Child, Pt. 1 |
 |
Floating |
 |
Eyes of a Child, Pt. 2 |
 |
I Never Thought I'd Live to Be a Hundred |
 |
Beyond |
 |
Out and In |
 |
Gypsy (Of a Strange and Distant Time) |
 |
Eternity Road |
 |
Candle of Life |
 |
Sun Is Still Shining |
| |
I Never Thought I'd Live to Be a Million |
 |
Watching and Waiting |
|
|
 |
Moody
Blues
on the threshold of a
dream
         
1969 51,6%
Rock, Art Rock, Pop/Rock, Psychedelic
Pop, Baroque Pop |
 |
In the Beginning |
 |
Lovely to See You |
 |
Dear Diary |
 |
Send Me No Wine |
 |
To Share Our Love |
 |
So Deep Within You |
 |
Never Comes the Day |
 |
Lazy Day |
 |
Are You Sitting Comfortably? |
| |
The Dream |
 |
Have You Heard, Pt. 1 |
 |
The Voyage |
 |
Have You Heard, Pt. 2 |
|
|
 |
Moody
Blues
in search of the lost
chord
         
1968 41,5%
Art Rock, Psychedelic, Psychedelic Pop |
| |
Departure |
 |
Ride My See-Saw |
 |
Dr. Livingstone, I Presume |
 |
House of Four Doors |
 |
Legend of a Mind |
 |
House of Four Doors, Pt. 2 |
 |
Voices in the Sky |
 |
The Best Way to Travel |
 |
Visions of Paradise |
 |
The Actor |
| |
The Word |
 |
Om |
|
|
 |
Moody Blues
days of future passed
         

1967 61,1%
Art Rock, Pop/Rock |
 |
the day begins |
 |
dawn (dawn is a feeling) |
 |
the morning (another morning) |
 |
lunch break (peak hour) |
 |
the afternoon (forever afternoon / time to get away) |
 |
evening (the sun set / twilight time) |
 |
the night (nights in white satin) ('72) |
|
Days of future passed
ist
eines der ersten Alben, wenn nicht das erste, das dem Art Rock zuzurechnen
ist - auch wenn diese Stilrichtung erst in der ersten Hälfte der 70er
zur Blühte kommt.
Eingespielt mit dem
London Festival Orchestra. "Nights in White
Satin" schaffte es erst mit einer Wiederveröffentlichung 1972 in
die amerikanischen und britischen Top10. |
 |
The Magnificent
Moodies (1965) |
|
|
|
|
|